Several
months ago now I decided I wanted to try and push myself farther with my
photography. More in the direction of setting a complete scene. Trying
to create images that are over the top and combine both art and fashion.
I'm not the first to mix the two genres for sure but I wanted to see what
I could do with it.
I
chose to create a four piece series based around the seasons. Always
being inspired by nature I figured this would be a good starting
point. Plus I could really pour myself in to each season having
a couple of months before each to plan for the next. Brilliant! When I began first
planning this project it was Winter and I thought I would start with
a Winter Maiden. I searched and blogged and pintrested to find
my characters and slowly began to stitch a fuzzy image together in my
mind.
I
thought I would buy a vintage wedding dress and embellish it from there. At
the time I was very inspired by photographer Kirsty Mitchell and the amazing time and
attention to detail she provides. Her images truly are a feast for the
eyes. I asked my sister to help me
attach flowers to the bodice of a vintage dress and other
silly things to which she agreed. She’s
really good at that kind of stuff. She always
had the best Halloween costumes when we were growing up.... Well, with it being Winter already before I
knew it the Holidays were here and then the end of the year and guess who didn't manage to sew any flowers onto any dresses?
Ok, Winters out, how ‘bout I begin with Spring? That seems somehow better right? New beginnings and all that. Ok, go get ‘em Spring!
I decided creating everything from scratch is not something I could
accomplish in a time frame I’m comfortable with. Not within two months certainly. Having a full time day job really cuts into
ones creative time but it does pay the bills.
I wanted to work with striking gowns and searched for a local designer that
might be interested in collaborating on the project but was unable to connect
with just what I needed. I decided to
spend more money and get a few gowns that I could hand pick for each
shoot. now that I had the wardrobe I was
inspired to create this character a large crown or head-wreath to really
complete the look. I mean these characters
are basically the physical embodiment of seasonal nature spirits so it seemed
fitting.
I also realized I needed killer makeup and hair. I turned to my friend Allison of Alli Mae Makeup and after looking through the mood board images I’d collected she
created a magical look for our May Queen with vibrant color.
I searched for the right shaped crown online that I could cover it with tiny flower blossoms or something but couldn't find one that was just
right so I took a chance and reached out to Willow of Creatrix Headdresses by Willow to see if she might be interested in loaning me one of her designs in
exchange for images for her site. I
crossed my fingers… Happily I can say
that she agreed and even went so far as to create an entirely new piece based
on this project! Its colors mimicked the
dress and spirit of the May Queen, harbinger of Spring.
Lastly to cast our model, our storyteller. I wanted a natural beauty with long brunette
hair and who would be truly interested in the project and of course fit the
wardrobe. I found Sara and she agreed to
play our Queen. She also happens to be
studying Landscape Architecture and is quite familiar with many of the plants
in the Arboretum where we shot this. Squeal! Perfect.
Team Set.
some mood board or inspirational images. thanks to the original artists for the inspiration! |
I did however end up creating one thing from scratch. I wanted her to have a tall walking staff to
hold as a prop piece. As I see it she walks
through the end of Winter and brings Spring at her heels, at the hem of her
dress… So a walking stick would certainly be appreciated by her, no?
I mentioned to my friend Taylor I was planning to walk the forest
to find the perfect staff for one of my photo projects and I believe his exact
words were “If you need a tall stick I can help you with that. I have that freaking hedge remember?” oh yeah!! He has a ginormous Laurel hedge on his
property that he has to stand on rigging to trim the top of. Next day he brought me two selections. One shorter and knobbier, the other taller
and skinnier. Two because he wasn't sure
of my models height and wanted to be sure I had something to work with. he's cool. J
We shoe-horned them into my tiny car and I drove off. The weekend before the shoot (which ended up
being rescheduled) I went to the location to scout the exact spots we would be
shooting and to collect the very last of the cherry blossoms. I wanted to capture one image with tons of
flower petals in the air and I needed the petals to be small, not large like
rose petals, which would've been easy to get of course but.. no, they needed to be small so they wouldn't run the risk of blocking out large portions of the models face when they were
tossed about. Cherry blossoms it
is. At this point there are only a few
left on the trees because it’s mid-May. I picked up every last blossom that wasn't already
crushed into the ground and saved them in a small bag I brought. I misted them and put them in my fridge when
I got home but they only lasted a few days. Poo. Anyway, I also grabbed a few
pieces of moss to ornament the staff with.
To make it “Springy”. I spent an
evening hunched over a Laurel branch with green moss and lichen and a glue gun
sipping a cider and trying to keep my dog away from my creation.
all the blossoms I collected... |
building a queenly staff in my living room. |
I used the dried cherry blossom petals as decoration on the staff. |
After all the prop building, wardrobe procuring and team assembling it was time to schedule the shoot. truth be told, this was the most difficult part. I found that the bigger you make your team the harder it is to pin things down. everyone has their own schedules and coordinating can be a logistical challenge. This shoot was rescheduled four times and I had to recast both the model and MUAH twice due to scheduling conflicts. It can be terribly stressful but so worth it in the end when you get an awesome team like I had here. Once we had a date that worked for all involved things came together quite nicely.
Well, I can honestly say I poured my heart and soul into this
project and while it had some difficulties such as arranging a working schedule
and a short seasonal time frame it came together in the end. No lie, this was a hard one. The weather was sunnier than I wanted and all
the grasses had grown by at least a foot and a half since I was last there to
scout. No matter, I’m making this work.
I narrowed the shooting locations to just the best ones and didn’t snap
away forever, just got it done. I
improvised with colorful trees for backgrounds as almost all the flowers were
gone by this point because it was now June and Summer was arriving. And I
took my time composing each shot, perfecting
the focus and adjusting the model so the light was most flattering. I even remembered to shoot some film! Scouting the location five times actually paid
off. :) All in all it was a wonderful shoot
and I hope the rest of the seasons turn out as well as this first one has. I learned
a lot and will apply it all in my future shoots.
parking lot lash application~ |
I even had flower petal nail tips for our Queen. |
yes, I learned a lot with this shoot and I will finish this year long seasonal project. Wasn’t that me who said I’d never do another year long project?! I know I may need to shoot them out of order but I will finish them when all the pieces are complete and I know the final images will be perfect. This is definitely a project where detail and imagination are far more important than meeting a deadline.
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